Goodbye Kodachrome
The Eastman Kodak company announced today that production would cease for the last member of their famed family of Kodachrome camera films, Kodachrome 64. The last of a line of superior films originating in 1935, Kodachrome 64, in 35 mm format, was first released in 1974.”

Kodachrome transparency photo image taken in 1974.
Kodak’s Kodachrome line of films proudly served in a wide variety of military, scientific, commercial and civilian roles throughout its long life, recording images of unmistakeable color and brilliance that literally helped to shape the way society viewed itself and its surroundings around the earth and in space. No other film came close to its realistic color fidelity, its incredible resolution detail, and its durable reliability.
Always willing and able to forgivingly deal with the needs of the casual picture-taker, Kodachrome truly excelled when pushed by more serious amature, artistic and professional photographers to the extremes of its performance capabilities. In such hands, the lustrous beauty of Kodachrome transparencies served to record images that impacted market and buying decisions, scientific research and development, social mores, and political actions.
Kodachrome’s proven performance never dulled, yet its health and vitality went into a long, slow decline with the advent and rise of digital photography. In today’s fast-paced digital world quality is inevitably compromised for the sake of speed and convenience for all but the most demanding of photographers. While Kodachrome’s image detail resolving power — at the equivalent of 20-to-40 MegaPixels in 35 mm format — was roughly twice that of all but the most expensive high-end 35 mm digital cameras at the time of its death, its time-consuming, complex and expensive processing could not compete with digital photo immediacy.
Kodachrome’s loss will be lamented by knowledgeable professional and amateur photographers worldwide.
Personally, I still remember when I first began shooting with Kodachrome. It was early in 1971. I had just purchased my first professional-grade 35mm camera, a Nikon F with the photomic TTL metering system, while in Singapore. Right from the beginning, I began trying it out with a variety of films, and recall my impatient wait for those photos to be returned from the processor. The vivid color of those first Kodachromes just blew me away. Only Kodachrome seemed able to capture the depth and brilliant color of Singapore’s Tiger Balm Gardens. From that moment on, I tried to shoot Kodachrome whenever possible. I was never disappointed with the results for my professional or personal photos.
Progress requires change. It does not necessarily mean “better”. For every step forward, something is left behind.
Some good sites that offer information and tributes to Kodak Kodachrome:
- http://en.wikipedia.org/wiki/Kodachrome
- http://homepage.1000words.kodak.com/default.asp?item=2388083
- http://www.youtube.com/watch?v=ujhdf9_IO4w
- http://www.flickr.com/groups/kodachrome/
- http://www.utah.com/stateparks/kodachrome.htm
fini
This second term is a little more obscure. And it’s one I’ve seen applied to those in the recruiting industry in particular, especially in economy’s such as we are now in. The “desert flower” term implies that the recruiting firm or recruiter is of a type that only blooms when it’s raining orders. That they can’t survive in tough times — perhaps because they are too niche-focused, too small, too connected to one client or just too passive in their approach to recruiting and selling.